Einführung

Bedienelemente – Controls

Suche
Klicken Sie dieses Bedienelement, um das Hauptmenu zu öffnen.

Click this control to open the main menu.

 

Suche
Klicken Sie dieses Bedienelement, um das Ewige Archiv zu durchsuchen.

Click this control to browse the Eternal Archives.

 

Übersicht
Klicken Sie dieses Bedienelement oder verwenden Sie die ESC (“escape”-Taste), um zurück zur Übersicht zu gelangen.

Click this control or use the ESC (“escape” key) to go back to the overview.

 

Übersicht
Klicken Sie dieses Bedienelement, das Bild/Video selbst oder verwenden Sie die “i”-Taste, um die zusätzliche Information zum Bild/Video zu schließen.

Click this control, the image/video itself or use the “i” key to close the additional information to the image/video.

 

Übersicht
Klicken Sie dieses Bedienelement, das Bild/Video selbst oder verwenden Sie die “i”-Taste, um die zusätzliche Information zum Bild/Video anzuzeigen.

Click this control, the image/video itself or use the “i” key to show the additional information to the image/video.

 

Übersicht
Klicken Sie dieses Bedienelement, oder verwenden Sie die Pfeiltaste nach links, um das vorherige Bild/Video anzuzeigen.

Click this control or use the arrow left key to show the previous image/video.

 

Übersicht
Klicken Sie dieses Bedienelement, oder verwenden Sie die Pfeiltaste nach rechts, um das nächste Bild/Video anzuzeigen.

Click this control or use the arrow right key to show the next image/video.

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Pierre Hébert · filmmaker · cinéaste

Pierre Hébert · filmmaker · cinéaste

Pierre Hébert tells what keeps him going, speaks about his films, his contact with Norman McLaren and much more. Director of more than forty films, including two features (La Plante humaine, 1996, Bazin’s Film, 2017), Pierre Hébert worked at the National Film Board of Canada from 1965 to 1999. He is now an independent artist and his filmmaking work has taken a multidisciplinary scope: live animation performances with musicians, video installations, collaborations with choreographers, drawing and actions on the web. He also writes about cinema. Since 2010 he pursues the ”Places and Monuments“ project combining animation and documentary. Pierre Hébert has since the time of the interview resumed for good scratching on film. Concept, camera, photos: Peter Putz · The Eternal Archives; editing and digital processing: Monica Parii / On screen. © Peter Putz, 2018 · www.ewigesarchiv.at

Pierre Hébert tells what keeps him going, speaks about his films, his contact with Norman McLaren and much more. Director of more than forty films, including two features (La Plante humaine, 1996, Bazin’s Film, 2017), Pierre Hébert worked at the National Film Board of Canada from 1965 to 1999. He is now an independent artist and his filmmaking work has taken a multidisciplinary scope: live animation performances with musicians, video installations, collaborations with choreographers, drawing and actions on the web. He also writes about cinema. Since 2010 he pursues the ”Places and Monuments“ project combining animation and documentary. Pierre Hébert has since the time of the interview resumed for good scratching on film. Concept, camera, photos: Peter Putz · The Eternal Archives; editing and digital processing: Monica Parii / On screen. © Peter Putz, 2018 · www.ewigesarchiv.at

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Pierre Hébert · filmmaker · cinéaste

Pierre Hébert · filmmaker · cinéaste

Pierre Hébert tells what keeps him going, speaks about his films, his contact with Norman McLaren and much more. Director of more than forty films, including two features (La Plante humaine, 1996, Bazin’s Film, 2017), Pierre Hébert worked at the National Film Board of Canada from 1965 to 1999.... mehr lesen

Pierre Hébert tells what keeps him going, speaks about his films, his contact with Norman McLaren and much more. Director of more than forty films, including two features (La Plante humaine, 1996, Bazin’s Film, 2017), Pierre Hébert worked at the National Film Board of Canada from 1965 to 1999.... read more